The two central figures in Capoeira in the twentieth century were undoubtedly Mestre Bimba and Mestre Pastinha. These two figures are so important in the history of Capoeira that they (and the mystery that surrounds them) are the mythical ancestors of all Capoeira players. Much of what a modern Capoeira player tries to be is due to what these men were or represented. Even though they were not the first, they are definitely the most prominent figures associated with Capoeira today. They are synonymous with Capoeira because they are the heart, soul, spirit and essence of the martial art. Both are legends.

MESTRE BIMBA

Fruit only comes with time.
– Mestre Bimba

In the 1932 in Salvador, Mestre Bimba (Manuel dos Reis Machado) opened the first Capoeira academy. He started teaching what he called “the regional fight from Bahia,” eventually known as Capoeira Regional (faster more aggressive than traditional Capoeira Angola style). This feat was made possible by nationalistic policies of Getulio Vargas, who wanted to promote Capoeira as a Brazilian sport. Although Bimba opened his school in 1932, the official recognition only came about in 1937, when it was technically registered. It must be noted that the Getulio Vargas government permitted the practice of Capoeira, but only in enclosed areas that were registered with the police. With the opening of Bimba’s Academy, a new era in the history of Capoeira began, as the game was taught to the children of the upper classes of Salvador. Bimba was active in Capoeira his whole life. As a matter of fact he was planning to give a Capoeira demonstration on the day he died, February 5, 1974.

MESTRE PASTINHA

Capoeira e para homen, menino e mulher, so nao aprende quem nao quiser.
Capoeira is for men, children and women; the only ones who don’t learn it are those who don’t wish to.
– Mestre Pastinha

In 1941, Mestre Pastinha (Vincente Ferreira Pastinha) opened his Capoeira angola school. For the first time, Capoeira began to be taught and practiced openly in a formal setting. He became known as the “Philosopher of Capoeira” because of his many aphorisms. Unfortunately, government authorities, under the pretext of reforming the Largo do Pelourinho, where he had his academy confiscated. Although he was promised a new one, the government never came through. The final years of his life were sad. Blind and almost abandoned he lived in a small room until his death in 1981 at the age of ninety-two.

Daniel Dawson would later write,

‘Pastinha was a brilliant Capoeirista whose game was characterized by his agility, quickness and intelligence (…). Pastinha wanted his students to understand the practice, philosophy and tradition of pure Capoeira Angola. As he said, “I practice the true Capoeira Angola and in my school they learn to be sincere and just. That is the Angola law. I inherited it from my grandfather. It is the law of loyalty. The Capoeira Angola that I learned – I did not change it here in my school… When my students go on they go on to know about everything. They know; this is fight, this is cunning. We must be calm. It is not an offensive fight. Capoeira waits (…). The good Capoeirista must know how to sing, play Capoeira and the instruments of Capoeira.”‘

Excerpt from Capoeira Angola and Mestre João Grande by C. Daniel Dawson